Showing posts with label Serindia Publications. Show all posts
Showing posts with label Serindia Publications. Show all posts

Wednesday, February 11, 2009

Ramoche: How do monks cut their hair?


Ramoche, Lhasa 1995 ©Ingrid Booz Morejohn

This picture was taken at Ramoche, an imposing temple in central Lhasa. I've always wondered how monks and nuns cut their hair, and got the answer this day. Two friends (or should I say colleagues?) were giving each other haircuts. The hairclipper must have been a little blunt (or the expertise of the person wielding it lacking), because there were numerous verbal exchanges, winces and lot's of pushing and shoving. It seemed to be general cleaning day as all the young monks, these included, were washing their heads and faces etc. For me it was a wonderful insight into a private world. 

My most memorable image of Ramoche is walking around the temple in the company of the Ramoche Abbot, a man of wily, roving eyes and impressive girth. While turning the temple's massive prayer wheels he flicked his prayer beads back and forth in snappy fashion, all the while chanting "Ooooommmmmm mani padme HUM!" - beginning with a deep, Barry White, back of the throat voice and then ending up with a high, girlish HUM!

Ramoche is the most important temple in Lhasa after the Jokhang. Is is unusual in many ways: Constructed during the Tang Dynasty by Chinese architects (ca 641) it is a powerful link between the two cultures, being built to house the important Jowo statue that had been brought to Lhasa by Princess Wencheng as a wedding gift from the Tang Court. It was later switched with a statue in the Jokhang where it is housed today.  The temple has been called the "Chinese Tiger". 


If you would like to read more about architecture and temples in Lhasa I highly recommend: The Temples of Lhasa, Tibetan Buddhist Architecture from the 7th to the 21st Centuries
, by André Alexander, Serindia Publications. 

Friday, February 6, 2009

Tibetan furniture

Photos ©Ingrid Booz Morejohn

Tibetan furniture is absolutely fascinating. Somewhat clunky and boxy, yes, but full of vibrant life, personality and tangible, living culture. Their earthy colours and folksy craftsmanship convey a sense of warmth and closeness to nature and life itself. Old Tibetan furniture is scarce and hard to come by and for various reasons I'd rather that the pieces that do exist stay with the Tibetans themselves. Luckily the demand for newly produced furniture increases all the time which means that it is easy to acquire a newly produced item today. Even though I live in an area of China that has a large Tibetan population and in the Tibetan area of Chengdu, I've found that the widest selection of newly produced furniture outside of Tibet of high quality is in Beijing. Furniture produced in Sichuan or Yunnan is, in my taste, many times too bright with gaudy colour and not of the best quality. On the other hand, it is extremely cheap. So if you want a brightly colored, exotic sofabed for the kids room, by all mean buy one here, they can be found for around 600 yuan and only need a thin mattress. 

The amount of furniture used in a typical Tibetan home varies with the geographical area and of course nomads carry only a small amount of furniture with them, typical items being small altars, low tables or chests. Wood is scarce up on the high plateau but in the Tibetans areas of Sichuan, which is densely forested, homes are richly decorated with in situ built cabinets from floor to ceiling, bed/benches around the entire room that are then decorated with low tables, rugs and cushions.  The furniture is usually extremely colorful, every visible surface decorated, most often with religious motifs and auspicious iconography but also paintings of everyday life, flora and fauna. The contrast between a typical country Chinese home and a Tibetan home couldn't be more different, although both are unique in their own way.

I'm lucky to have acquired a few pieces here in China from Mansu, a Tibetan contact in Beijing that has a number of craftsmen producing new pieces with old patina. He says he ships them down from the craftsmen in Shigatse in Tibet (Shigatse is known as a furniture area). (I suspect however that a number of the items might be produced in the enormous furniture area of SE Beijing, but no matter, they are definitely made by Tibetan craftsmen). I try and choose pieces that look as old or authentic as possible, using traditional patterns, styles etc. Mansu has several large warehouses packed to the ceiling with different pieces.

Shown here are two cabinets (top) and an altar (above) that I bought in Beijing and had shipped (included in purchase price) to Chengdu. Mansu also has a large number of medium quality wool carpets in traditional patterns and muted dyes (two can be seen beneath the cabinets). Very nice, soft and affordable, but of course no where near the quality of Torana or Khawachen, two magnificent carpet producers that I highly recommend (see separate posting).

Mansu in Beijing:
www.lftibetanart.com
www.lftibetanart.cn
linfengyishu@yahoo.com.cn
Tel: (8610) 87693479
Mobile 13911739981

NOTE: As I say about every region of China or the world, I strongly recommend buying locally produced products produced by the people themselves, to help promote traditional culture and local values. So please try and buy Tibetan furniture, carpets and any other Tibetan handicrafts directly from Tibetans themselves or those shops or organizations that work directly with the Tibetan suppliers in order to support the continuance of fine quality, local traditions and to help bolster the local economy. 



For anyone interested in learning more about Tibetan furniture please read: 
Wooden Wonders, Tibetan furniture in secular and religious life, Edited by David Kamansky. Published by Pacific Asia Museum, Pasadena and Serindia Publications, Chicago. ISBN: 1-932476-17-2 (Hardcover) or 1-932476-16-4 (Softcover)

Saturday, January 3, 2009

Kathmandu Valley Style

Another exquisite book has come off the press from Serindia Publications:

KATHMANDU VALLEY STYLE
Lisa Choegyal, Craig Potton, Gautam SJB Rana
“Kathmandu Valley Style is an important addition to Nepali identity—the text and photographs acknowledge the past while addressing what is possible in the present and in the future as well. HIGHLY RECOMMENDED.” Mikel Dunham (see full review and his blog at www.mikeldunham.blogs.com)

Summary:
KATHMANDU VALLEY STYLE is not another so-called “style” book, it is as much a Serindia’s classic — it celebrates the art and architecture of Nepal’s Kathmandu Valley and honors those pioneers who have made Kathmandu Valley their homes over the past few decades. Here for the first time we have a rare glimpse of the the historic and contemporary private residences in Newar, Tibetan and Rana styles and world-renowned restorations such as the Kuthu Math house, the Patan Museum, Baber Mahal Revisited, the Dwarikas, the Garden of Dreams, and other inspiring contemporary interiors and architectural works.

Full Description:
Nepal is widely acclaimed for its unique art and architectural styles. The ancient palaces, temples, courtyards and streetscapes of Kathmandu Valley are protected as no less than seven World Heritage Sites. Shrines are worshipped daily as part of Nepal’s vibrant living heritage. Recent efforts to preserve the architectural heritage of Kathmandu have carefully and authentically restored many of the Valley’s important public monuments.

Lesser known are the recent imaginative and adaptive use of Nepali architecture and decorative styles into new buildings and private homes. Kathmandu Valley Style captures the wealth of the past and illustrates how influences from the Malla Newar, Tibetan and Rana architecture have been incorporated into present-day buildings and lifestyles. Using traditional themes and building techniques in the restored historic and new structures has breathed fresh life into Kathmandu’s rich living cultural heritage, and provided additional attractions for visitors.

Kathmandu Valley Style features over 40 historic and new buildings, many of them never before photographed or published. Reinforcing national pride in Nepal’s vernacular architecture, this unique collection demonstrates how traditional art and architecture can be successfully incorporated into homes for today’s changing world. The book will appeal to residents, visitors, tourists, and all who love Nepal, as well as devotees of fine books on art, architecture, and interior design."

You can find out all about Serindia's other magnificent books on Tibetan, Himalayan and Asian culture on their website: